Meanwhile, the current installation at the museum is a perfect demonstration of what works best about the structure and brings together the work of sculptor Mimmo Paladino and musician Brian Eno. Paladino fully exploits the crypt-like lower floor of the building with his recumbent figures and charred disembodied torsos taking on a distinctly archaeological feel as if surrounded by broken fragments of burial goods. Hints of something much darker, perhaps augmented by Eno's music, pervades the entire installation with associations with the Holocaust inevitable, particularly in the piece with hundreds of old wooden shoe lasts with small bronze birds attached to them which covered an entire wall. Brian Eno's music uses the auto-repeat and random-shuffle controls on numerous CD players placed throughout the exhibition to achieve infinite permutations of sound in space, with a variety of speakers installed - including Eno’s trademark speaker flowers.
The photograph show the upper floor on the beautiful sunny day I visited with sunlight streaming through the glass walls. It also shows how busy it was - in spite of Alemanno's protests, L'Ara Pacis is now the third most visited site in Rome.
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